Samara Weaving

In the cinematic world, few premises are as engaging as those intertwined with apocalyptic scenarios, particularly when religion shapes the narrative. E.L. Katz’s film, “Azrael: Angel of Death,” crafted by Simon Barrett, tantalizingly explores the remnants of society after a cataclysmic event dubbed the Rapture. The story begins with a telling phrase, “Many years after
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